Beehouse boasts the Yamaha O2R 96 amongst many dazzling technical facilities.
Top-flight technical spec is combined with hands-on skill and receptive production work.
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Technical Information

All work at Beehouse is processed in the digital domain unless there is a specific advantage in analogue equipment usage.

For specific technical information click links below:

Recording
 Principal Hardware    
Mastering and De-noising  
Hardware   Software   Features Outboard    Synthesisers     
Monitoring


     
A Pro Tools recording studio  


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CD Duplication
Mastering 
Sound Restoration




Recording spec.

A quartet of Yamaha Digital Mixers including the all new Yamaha 02R 96, providing for both the present and the future, with 96khz recording, surround mixing and monitoring. A 24-bit hard disk based digital recording system hosted on a number of networked PCs. We use removeable storage media and total recall facilities to allow swift transfer from one project to another.

Features include:

*Full Mix Automation and Total Scene Recall

*Almost 150 channels of hardwired digital and analogue inputs spanning all popular and standard connector formats, i.e Balanced XLR, TRS Balanced, Jack and Phono Unbalanced, S/PDIF, AES/EBU, ADAT, TDIF...etc, etc.

*Yamaha topline FX processors and the Waves Y56K Plugins board.

Outboard includes:

*Eventide Eclipse - DSPFX Harmoniser

*TC Works M3000 - Reverb

*TC Works Voice One

*DBX Digital Dynamics Processor

*TL 5051 Audio Microphone Preamplification Processor

*Zoom 1201

*MOTU Midi Mixer 7s


Synthesisers represented by:

Alesis QSR, Alesis DM5, Proteus 2500 Command Station, Yamaha SY85, Roland JV30, Yamaha DJX I, II, IIB, Roland Electric Piano FP8, Yamaha WX5 Expressive Midi Wind Controller, VL70M, Johnson J Station and Roland VG88 Guitar Processors, various Drum Processors.

Software:

Steinberg Cubase VST32 v5.1r1 and Cubase SX v1.051.

Steinberg Nuendo and Protools both available on request

Sound Forge and Wavelab editors

Creamware Scope including Inferno, Poison, Vector Player, FM1, Sample Players.....etc, etc.

And a plethora of VST plugin instruments and effects.

Monitoring by:

Mackie HR824 Active Nearfields

Leak 2600s

Tannoy Limited Edition 631s

Pioneer SX323

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Principal hardware

Sound cards by :-

Mark of the Unicorn (2408 Mk1 and MKIII)

Creamware Pulsar (Scope v3.1c)
Event (Gina)
Creative Labs (Live Platinum, AWE64 Gold, SB16ASP)

Various other analogue and digital mixing desks
Tascam DAT
Aiwa + Yamaha minidisks


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Mastering and de-noising spec.
De-noising and sonic restoration are both techniques by which the essential or original sound you have produced can be enhanced, and redundant surface noise in your recording can be removed. There exists both a hardware and a software element to this process.

Here are some of the many facets of the sonic restoration operation used frequently by our mastering house:


Digital noise printing and reduction
Subtractive synthesis
Click removal
Pop removal
De-essing in preparation for radio play
De-hissing
Vinyl restoration
Hum removal
Machine noise removal
Multi-band dynamics
Compression/limiting
Digital enhancement of very poor sources such as audio cassette to produce high quality CD representation
 
Contact us for more information

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Hardware :Dynamics processors including compressors, limiters, expanders, companders, noisegates, aural exciters and enhancers and parametric, graphic and paragraphic systems. We are 24-bit 96 khz-ready to meet future recording industry standards as well as those currently in force.

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Software :
Wavelab, Soundforge, Cubase VST, CoolEdit, Direct-X plug-in architecture (too many features to list.
Pro tools and Nuendo available by advance request


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